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Total Size:
620.3 MB
Info Hash:
7C10EF17EE475E29B93867079881E207E6D59A7E
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Added:
July 26, 2025, 12:35 p.m.
Stats:
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(Last updated: July 26, 2025, 12:40 p.m.)
| File | Size |
|---|---|
| front.png | 538.9 KB |
| back (no spines).png | 451.0 KB |
| disc2.jpg | 67.5 KB |
| disc1.jpg | 66.0 KB |
| 11 Stormy Monday Blues.flac | 24.9 MB |
| 09 Blues In The Night.flac | 22.4 MB |
| 04 Jelly Jelly Jelly.flac | 20.8 MB |
| 18 36-24-36.flac | 17.9 MB |
| 12 Turn On Your Love Light.flac | 17.0 MB |
| 16 No Sweeter Girl.flac | 17.0 MB |
| 19 Call On Me.flac | 16.7 MB |
| 06 You're The One (That I Adore).flac | 16.5 MB |
| 10 Twistin' Up The Road.flac | 15.9 MB |
| 05 Ain't That Lovin' You.flac | 15.7 MB |
| 07 Who Will The Next Fool Be.flac | 15.0 MB |
| 13 Your Friends.flac | 14.8 MB |
| 08 Blue Moon.flac | 14.2 MB |
| 15 You're Worth It All.flac | 14.1 MB |
| 24 Queen For A Day.flac | 11.3 MB |
| 22 Cry Lover Cry.flac | 10.9 MB |
| 14 Yield Not To Temptations.flac | 10.7 MB |
| 25 I Can't Stop Singing.flac | 10.4 MB |
| 20 That's The Way Love Is.flac | 10.1 MB |
| 21 Ain't It A Good Thing.flac | 10.1 MB |
| 17 The Feeling Is Gone.flac | 9.9 MB |
| 23 Honky Tonk.flac | 9.4 MB |
| 01 How Does A Cheatin' Woman Feel.flac | 9.1 MB |
| 03 I've Just Got To Forget You.flac | 8.7 MB |
| 02 St. James Infirmary.flac | 8.4 MB |
| D1.ffp | 1.5 KB |
| 15 Blind Man.flac | 14.6 MB |
| 10 Today.flac | 12.6 MB |
| 03 I'll Call You Tomorrow.flac | 11.9 MB |
| 11 Black Night.flac | 11.9 MB |
| 24 Reconsider Baby.flac | 11.3 MB |
| 13 The Greatest.flac | 11.3 MB |
| 18 Ain't Doin' Too Bad, Part 1.flac | 11.1 MB |
| 19 Ain't Doin' Too Bad, Part 2.flac | 11.1 MB |
| 14 Black Night.flac | 10.8 MB |
| 04 Dust Got In Daddy's Eyes.flac | 10.7 MB |
| 16 Steal Away.flac | 10.7 MB |
| 23 I'm Gonna Cry.flac | 10.7 MB |
| 06 Ain't Nothin' You Can Do.flac | 10.6 MB |
| 21 Lonliness Hurts.flac | 10.5 MB |
| 07 Share Your Love With Me.flac | 10.5 MB |
| 08 Care For Me.flac | 10.3 MB |
| 12 For Men Only.flac | 10.1 MB |
| 05 If I Hadn't Called You Back.flac | 10.1 MB |
| 02 Honey Child.flac | 9.8 MB |
| 22 When You Put Me Down.flac | 9.8 MB |
| 09 After It's Too Late.flac | 9.7 MB |
| 20 I Won't Forget.flac | 9.7 MB |
| 25 Ain't No Telling.flac | 9.6 MB |
| 01 Sometimes You Gotta Cry A Little.flac | 8.8 MB |
| 17 If You Could Read My Mind.flac | 8.8 MB |
| D2.ffp | 1.5 KB |
| Front.jpg | 141.3 KB |
Name
DL
Uploader
Size
S/L
Added
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338.6 MB
[0
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16]
2025-07-26
| Uploaded by zbyszek3k | Size 338.6 MB | Health [ 0 /16 ] | Added 2025-07-26 |
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620.3 MB
[19
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48]
2025-07-26
| Uploaded by zbyszek3k | Size 620.3 MB | Health [ 19 /48 ] | Added 2025-07-26 |
NOTE
SOURCE: Bobby Bland - Turn On Your Love Light: The Duke Recordings, Vol. 2 (1994)⭐
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COVER
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MEDIAINFO
Artist: Bobby "Blue" Bland Title: Turn on Your Love Light: The Duke Recordings, Vol. 2 Year Of Release: 1994 Label: MCA Records Format: 2 x CD, Compilation, Remastered Genre: Blues, Rhythm & Blues, Soul Quality: FLAC (tracks+scans) Tracklist: Disc 1: 1. How Does a Cheatin' Woman Feel (2:39) 2. St. James Infirmary (2:25) 3. I've Just Got to Forget You (2:35) 4. Jelly, Jelly (3:24) 5. Ain't That Lovin' You (2:33) 6. You're the One (That I Adore) (2:35) 7. Who Will the Next Fool Be? (2:28) 8. Blue Moon (2:15) 9. Blues in the Night (3:36) 10. Twistin' up the Road (2:32) 11. Stormy Monday Blues (4:10) 12. Turn on Your Love Light (2:38) 13. Your Friends (2:33) 14. Yield Not to Temptation (2:36) 15. You're Worth It All (2:24) 16. No Sweeter Girl (2:39) 17. The Feeling Is Gone (2:31) 18. 36-22-36 (2:51) 19. Call on Me (2:35) 20. That's the Way Love Is (2:38) 21. Ain't It a Good Thing (3:17) 22. Cry Lover Cry (2:50) 23. Honky Tonk (2:23) 24. Queen for a Day (2:57) 25. I Can't Stop (2:33) Disc 2: 1. Sometimes You Gotta Cry a Little (2:17) 2. Honey Child (2:31) 3. I'll Call You Tomorrow [#] (3:04) 4. Dust Got in Daddy's Eyes (2:34) 5. If I Hadn't Called You Back (2:36) 6. Ain't Nothing You Can Do (2:39) 7. Share Your Love With Me (2:45) 8. Care for Me (2:37) 9. After It's Too Late (2:28) 10. Today (2:59) 11. Black Night [LP Version] (2:53) 12. For Men Only [#] (2:43) 13. The Greatest [#] (2:48) 14. Black Night [45 Version] (2:49) 15. Blind Man (3:36) 16. Steal Away (2:41) 17. If You Could Read My Mind (2:18) 18. Ain't Doin' Too Bad, Pt. 1 (2:40) 19. Ain't Doin' Too Bad, Pt. 2 (2:38) 20. I Won't Forget [#] (2:37) 21. Loneliness Hurts (2:46) 22. When You Put Me Down (2:31) 23. I'm Gonna Cry (2:43) 24. Reconsider Baby (2:53) 25. Ain't No Telling (2:28) Bobby Bland earned his enduring blues superstar status the hard way: without a guitar, harmonica, or any other instrument to fall back upon. All Bland had to offer was his magnificent voice, a tremendously powerful instrument in his early heyday, injected with charisma and melisma to spare. Just ask his legion of female fans, who deemed him a sex symbol late into his career. For all his promise, Bland's musical career ignited slowly. He was a founding member of the Beale Streeters, the fabled Memphis aggregation that also included B.B. King and Johnny Ace. Singles for Chess in 1951 (produced by Sam Phillips) and Modern the next year bombed, but that didn't stop local DJ David Mattis from cutting Bland on a couple of 1952 singles for his fledgling Duke logo. Bland's tormented crying style was still pretty rough around the edges before he entered the Army in late 1952. But his progress upon his 1955 return was remarkable; with saxist Bill Harvey's band (featuring guitarist Roy Gaines and trumpeter Joe Scott) providing sizzling support, Bland's assured vocal on the swaggering "It's My Life Baby" sounds like the work of a new man. By now, Duke was headed by hard-boiled Houston entrepreneur Don Robey, who provided top-flight bands for his artists. Scott soon became Bland's mentor, patiently teaching him the intricacies of phrasing when singing sophisticated fare (by 1962, Bland was credibly crooning "Blue Moon," a long way from Beale Street). Most of Bland's savage Texas blues sides during the mid- to late '50s featured the slashing guitar of Clarence Hollimon, notably "I Smell Trouble," "I Don't Believe," "Don't Want No Woman," "You Got Me (Where You Want Me)," and the torrid "Loan a Helping Hand" and "Teach Me (How to Love You)." But the insistent guitar riffs guiding Bland's first national hit, 1957's driving "Farther Up the Road," were contributed by Pat Hare, another vicious picker who would eventually die in prison after murdering his girlfriend and a cop. Later, Wayne Bennett took over on guitar, his elegant fretwork prominent on Bland's Duke waxings throughout much of the '60s. Two Steps from the Blues The gospel underpinnings inherent to Bland's powerhouse delivery were never more apparent than on the 1958 outing "Little Boy Blue," a vocal tour de force that wrings every ounce of emotion out of the grinding ballad. Scott steered his charge into smoother material as the decade turned: the seminal mixtures of blues, R&B, and primordial soul on "I Pity the Fool," the Brook Benton-penned "I'll Take Care of You," and "Two Steps From the Blues" were tremendously influential to a legion of up-and-coming Southern soulsters. Collected on the 1961 LP Two Steps from the Blues, they produced one of the classic full-lengths of modern blues. Scott's blazing brass arrangements upped the excitement ante on Bland's frantic rockers "Turn on Your Love Light" in 1961 and "Yield Not to Temptation" the next year. But the vocalist was learning his lessons so well that he sounded just as conversant on soulful R&B rhumbas (1963's "Call on Me") and polished ballads ("That's the Way Love Is," "Share Your Love With Me") as with an after-hours blues revival of T-Bone Walker's "Stormy Monday Blues" that proved a most unlikely pop hit for him in 1962. With "Ain't Nothing You Can Do," "Ain't Doing Too Bad," and "Poverty," Bland rolled through the mid-'60s, his superstar status diminishing not a whit. His California Album In 1973, Robey sold his labels to ABC Records, and Bland was part of the deal. Without Scott and his familiar surroundings to lean on, Bland's releases grew less consistent artistically, though His California Album in 1973 and Dreamer the next year boasted some nice moments (there was even an album's worth of country standards). The singer re-teamed with his old pal B.B. King for a couple of mid-'70s albums that broke no new ground but further heightened Bland's profile, while his solo work for MCA teetered closer and closer to MOR (Bland has often expressed his admiration for ultra-mellow pop singer Perry Como). Memphis Monday MorningBland began recording for Jackson, Mississippi's Malaco Records in the mid-'80s. His pipes undeniably reflected the ravages of time, but he endured as a blues superstar of the loftiest order, resurfacing in 1998 with Memphis Monday Morning, and five years later with Blues in Memphis. Bland died in Memphis in June 2013 at the age of 83
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