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SOURCE: Brown S. Digital Piracy. A Global, Multidisciplinary Account 2018
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MEDIAINFO
Textbook in PDF format Non-Commercial digital piracy has seen an unprecedented rise in the wake of the digital revolution; with wide-scale downloading and sharing of copyrighted media online, often committed by otherwise law-abiding citizens. Bringing together perspectives from criminology, psychology, business, and adopting a morally neutral stance, this book offers a holistic overview of this growing phenomenon. It considers its cultural, commercial, and legal aspects, and brings together international research on a range of topics, such as copyright infringement, intellectual property, music publishing, movie piracy, and changes in consumer behaviour. This book offers a new perspective to the growing literature on cybercrime and digital security. This multi-disciplinary book is the first to bring together international research on digital piracy and will be key reading for researchers in the fields of criminology, psychology, law and business. Dedication List of illustrations Acknowledgements List of contributors Introduction Contextualising digital piracy References Evolving media consumption practices The times they are a-changin’: Digital music value in transition from piracy to streaming Introduction A brief history of music valuation The value of free music Digital music valorisation process Technological trajectory of P2P technology Controversies over digital music value Conclusion Notes Bibliography Digital piracy, new media and consumer choice Problematizing ‘digital’ Copyright dematerialization Problematizing ‘music’ Problematizing ‘piracy’ Collaborative digital culture: prosumers Democratizing lip synching as performance Musical.ly and the grey areas of copyright Conclusion Notes References Anti-piracy policies and online film circulation: The Italian context, between formality and informality Introductory remarks Piracies and profit: some premises Piracy, between formality and informality The online distribution ecology in Italy How formality depicts informality: the Italian case From piracy to creativity: the cases of ‘I make movies’ and ‘respect creativity’ Creative Italy Notes Bibliography Approaches to understanding digital piracy The social and applied psychology of engagement in music piracy Introduction References An examination of digital piracy behaviour through the lens of cultural and non-cultural variables Acknowledgment Introduction Literature review and conceptual framework Hypotheses development Methodology Analyses and results Discussion and implications Conclusions: limitations and future research References Copyright infringement and cultural participation Introduction Review of the literature Research questions Descriptive analysis of cultural consumption in Spain Empirical analysis Discussion Conclusions Notes References Who cares if Taytay gets pay pay? Shake it off: The apathy of the contemporary music consumer Introduction Literature review Methodology Findings Conclusion Note Appendix 1 Research methods and samples References Assessments of the impact of digital piracy DeLiberating the information commons: A critical analysis of intellectual property and piracy Introduction On copyright Here come the (digital) pirates Contradictions of piracy, intellectual piracy, and accumulation under information capitalism Conclusion Notes References The criminality of digital piracy: Is it a pathway to more serious offending? Introduction The methods of digital piracy The scope of the digital piracy problem What’s the harm? Does digital piracy correlate with other forms on online deviance? Toward a cyberpathways model for criminal behavior Conclusions References Criminology’s contribution to the study of digital piracy Introduction What is digital piracy? Applying criminological theory to digital piracy Deterrence theory General theory of crime Social learning theory Techniques of neutralization Limitations in data collection Possible steps forward References Identifying paths forward in the study of piracy ‘Turn and face the strange’ Merrily, merrily, merrily, merrily, merrily… What we think versus what we know Qualitative research into digital piracy Concluding statement References Index
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