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Total Size:
629.1 MB
Info Hash:
8723A1840D7AD919BB89FCABC422AB0308698729
Added By:
Added:
April 27, 2026, 6:41 p.m.
Stats:
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(Last updated: April 27, 2026, 6:42 p.m.)
| File | Size |
|---|---|
| Booklet001-012.jpg | 5.0 MB |
| Booklet006-007.jpg | 4.4 MB |
| Booklet008-009.jpg | 3.8 MB |
| Booklet004-005.jpg | 3.7 MB |
| Booklet010-011.jpg | 3.6 MB |
| Booklet002-003.jpg | 3.5 MB |
| Back Cover.jpg | 3.2 MB |
| Inlay.jpg | 2.8 MB |
| Front Cover.jpg | 2.7 MB |
| Disc001.jpg | 635.2 KB |
| Disc002.jpg | 578.6 KB |
| 01. Marvin • Welch • Farrar - You're Burning Bridges.flac | 25.3 MB |
| 06. Marvin • Welch • Farrar - Throw Down a Line.flac | 21.6 MB |
| 04. Marvin • Welch • Farrar - My Home Town.flac | 20.6 MB |
| 11. Marvin • Welch • Farrar - Wish You Were Here.flac | 20.4 MB |
| 09. Marvin • Welch • Farrar - Mistress Fate And Father Time.flac | 20.4 MB |
| 07. Marvin • Welch • Farrar - Baby I'm Calling You.flac | 19.6 MB |
| 12. Marvin • Welch • Farrar - Mr. Sun.flac | 17.8 MB |
| 03. Marvin • Welch • Farrar - Brownie Kentucky.flac | 16.5 MB |
| 05. Marvin • Welch • Farrar - Silvery Rain.flac | 15.7 MB |
| 08. Marvin • Welch • Farrar - Faithful.flac | 14.2 MB |
| 10. Marvin • Welch • Farrar - Take Her Away.flac | 14.1 MB |
| 02. Marvin • Welch • Farrar - A Thousand Conversations.flac | 12.9 MB |
| Marvin • Welch • Farrar - Marvin • Welch • Farrar.cue | 5.1 KB |
| Marvin • Welch • Farrar - Marvin • Welch • Farrar.log | 3.5 KB |
| Marvin • Welch • Farrar - Marvin • Welch • Farrar.m3u | 648 bytes |
| 17. Marvin • Welch • Farrar - Galadriel (Spirit Of Starlight).flac | 36.0 MB |
| 16. Marvin • Welch • Farrar - Skin Deep.flac | 29.6 MB |
| 07. Marvin • Welch • Farrar - Lonesome Mole.flac | 23.8 MB |
| 01. Marvin • Welch • Farrar - Black Eyes.flac | 23.7 MB |
| 09. Marvin • Welch • Farrar - Lady Of The Morning.flac | 23.6 MB |
| 15. Marvin • Welch • Farrar - Music Makes My Day.flac | 23.5 MB |
| 12. Marvin • Welch • Farrar - All Day, All Night Blues.flac | 22.1 MB |
| 13. Marvin • Welch • Farrar - Marmaduke.flac | 21.2 MB |
| 03. Marvin • Welch • Farrar - Simplify Your Head.flac | 19.8 MB |
| 04. Marvin • Welch • Farrar - Ronnie.flac | 19.3 MB |
| 18. Marvin • Welch • Farrar - Small And Lonely Light.flac | 19.3 MB |
| 14. Marvin • Welch • Farrar - Strike A Light.flac | 19.2 MB |
| 11. Marvin • Welch • Farrar - Come Back To Nature.flac | 17.5 MB |
| 10. Marvin • Welch • Farrar - The Time To Care.flac | 16.9 MB |
| 06. Marvin • Welch • Farrar - Let's Say Goodbye.flac | 16.6 MB |
| 08. Marvin • Welch • Farrar - Thank Heavens I've Got You.flac | 16.0 MB |
| 02. Marvin • Welch • Farrar - Tiny Robin.flac | 15.2 MB |
| 05. Marvin • Welch • Farrar - Far Away Falling.flac | 13.0 MB |
| Marvin • Welch • Farrar - Second Opinion.cue | 7.4 KB |
| Marvin • Welch • Farrar - Second Opinion.log | 5.2 KB |
| Marvin • Welch • Farrar - Second Opinion.m3u | 969 bytes |
| Front.jpg | 55.1 KB |
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836.8 MB
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| Uploaded by ZBYSZEK3k | Size 836.8 MB | Health [ 18 /3 ] | Added 2024-11-11 |
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138.7 MB
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| Uploaded by Pornbits | Size 138.7 MB | Health [ 38 /19 ] | Added 2023-09-19 |
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| Uploaded by Pornlake | Size 395.3 MB | Health [ 14 /21 ] | Added 2023-09-19 |
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| Uploaded by XXXClub | Size 395.3 MB | Health [ 45 /35 ] | Added 2023-09-19 |
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| Uploaded by zbyszek3k | Size 629.1 MB | Health [ 22 /19 ] | Added 2026-04-27 |
NOTE
SOURCE: Marvin, Welch, Farrar - Marvin, Welch, Farrar-Second Opinion (1971, BGO 2006)⭐
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COVER
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MEDIAINFO
Artist: Marvin Welch Farrar Title Of Album: Marvin Welch Farrar / Second Opinion Year Of Release: 1971/2006 Label: BGO Country: UK/Australia Genre: Folk classic rock, Audio codec: FLAC (*.flac) Rip type: tracks+.cue Tracks: Disc 1 Marvin, Welch, Farrar 1. You're Burning Bridges - 4:02 2. A Thousand Conversations - 2:16 3. Brownie Kentucky - 2:33 4. My Home Town - 3:15 5. Silvery Rain - 2:32 6. Throw Down A Line - 3:19 7. Baby I'm Calling You - 2:47 8. Faithful - 2:21 9. Mistress Fate And Father Time - 3:14 10.Take Her Away - 1:58 11.Wish You Were Here - 3:23 12.Mr. Sun - 2:47 Disc 2 Second Opinion 1. Black Eyes - 3:21 2. Tiny Robin - 2:36 3. Simplify Your Head - 2:47 4. Ronnie - 3:06 5. Far Away Falling - 2:15 6. Let's Say Goodbye - 2:38 7. Lonesome Mole - 3:16 8. Thank Heavens I've Got You - 2:33 9. Lady Of The Morning - 3:39 10.The Time To Care - 2:26 11.Come Back To Nature - 2:55 12.All Day, All Night Blues - 3:05 13.Marmaduke - 3:00 14.Strike A Light - 2:57 15.Music Makes My Day - 3:46 16.Skin Deep - 4:25 17.Galadriel (Spirit Of Starlight) - 6:05 18.Small And Lonely Light - 3:12 Bonus Tracks 13-18 Personnel: Hank Marvin - Vocals Bruce Welch - Vocals John Farrar - Guitar Alan Hawkshaw - Organ, Piano Dave Richmond - Bass Clem Cattini - Drums (Disc 1) Peter Vince - Organ, Piano (Disc 1) Brian Bennett - Drums (Disc 2) Johnny Van Derek Fiddle (Disc 2) Duffy Power Harmonica (Disc 2) To anyone not from England, or not part of the baby boom generation, it's a bit difficult to explain the significance of Marvin, Welch & Farrar as a group -- not that they were lacking in any way; far from it, their music speaks (or, more properly and significantly, sings) volumes, and they made some superb vocal pop, very much influenced by Crosby, Stills & Nash, among other harmony vocal music of the early '70s. But that's the hard part to explain -- to anyone who doesn't know Hank Marvin and Bruce Welch as core members of the Shadows, a quartet renowned since 1958 for their instrumental music, or to anyone who does know them that way. It's as though members of the New York Philharmonic string section decided to form a choral outfit and ended up being really good at it. The key to understanding what Marvin, Welch & Farrar were about is to recognize that the Shadows didn't just make instrumental music, and that's not merely referencing their work with vocalist Cliff Richard. Rather, Hank Marvin and Bruce Welch did occasional vocal numbers, and while these never "took" with the public, the critics and more discerning listeners all approved of what they'd heard. Cut to 1968 -- after ten years of success as a rock & roll outfit, most of it quite immense during the first four and a lot of the rest receding gradually amid the rise of the Beatles, the Rolling Stones, et al., the Shadows, consisting then of Marvin, Welch, bassist John Rostill, and drummer Brian Bennett, decided to put the band on hiatus. Rostill and Bennett went their separate ways in music, while Welch took some time off and Marvin kept his hand in music with a series of solo releases and a record cut in tandem with Richard. But by 1970, Welch was ready to pursue a new musical venture, and he and Marvin decided that this would be as un-Shadows-like as possible -- a harmony vocal outfit. Rejecting the idea of a new band, or reestablishing the Shadows identity, they decided to go out as themselves, using simply their names. But a third voice and player seemed called for, and that was when Welch's Australian fiancée -- Olivia Newton-John -- took a hand, reminding them of their favorable impression of a guitarist they'd seen on a tour of Australia a couple of years before, named John Farrar; and contacting him was not half the problem it might normally have been, as Newton-John had not long before worked with singer Pat Carroll, who happened to be Mrs. John Farrar. By the end of the summer of 1970, Farrar was in London and the trio was recording, assisted by Clem Cattini on the drums and Dave Richmond on bass. The group's debut single, "Faithful" b/w "Mr. Sun," issued in early 1971, was a stunner vocally, with some of the most beautiful harmonies heard on a record that year. And it was totally unexpected to Shadows fans expecting a certain kind of sound from Hank Marvin and Bruce Welch. It got good press and lots of exposure but failed to chart, though the self-titled debut album that followed did better, reaching number 30. It was a total break from the sounds with which Marvin and Welch had previously been associated, and they took the bull by the horns, even remaking an old Marvin-authored Shadows track called "Throw Down a Line" in distinctly new terms in their new musical surroundings. And as testimony to the craftsmanship that went into the compositions, two of the new songs on the album -- and they were all originals -- were covered by Cliff Richard, who got a Top 30 hit out of "Silvery Rain" that same year. The resulting album was impressive on just about every level, especially the vocals, something that Marvin and Welch were simply not known for doing -- indeed, a lot of the record came off as what might have resulted if the Hollies, widely known for their three-part harmonies, had done an unplugged or low-wattage album. This flurry of activity was complicated by the fact that the Shadows, now reactivated as a recording outfit, had an album of their own out at the same time. In one of those peculiar coincidences, Marvin, Welch & Farrar and the new Shadows album each peaked within weeks of each other at the identical chart position, number 30, in England. Meanwhile, a somewhat abbreviated U.S. release of the Marvin, Welch & Farrar album went unnoticed on the far side of the Atlantic. A brace of follow-up singles and an album, Second Opinion, followed, but by mid-1972 personal situations -- most notably the breakup of the engagement between Welch and Newton-John -- had begun to take their toll. And by the time of the second album's release, the trio was effectively reduced to a duo of Hank Marvin and John Farrar. The group did a tour alongside Cliff Richard that drew enough people to be a success on paper, but they were never able to break away entirely from the expectations of the Shadows' audience. People expected the rock & roll instrumentals, and the absence of that material from their set disappointed concertgoers in droves. In 1973, Marvin, Welch & Farrar were effectively folded into the fully reactivated Shadows, with Brian Bennett resuming his place in the drummer's slot. According to Hank Marvin, in an interview quoted by David Wells in his notes for a reissue of the trio's albums on Beat Goes On, they were able to incorporate some of the Marvin, Welch & Farrar vocal numbers very well into the Shadows' sets. The vocals continued to figure in their work until the departure of John Farrar -- he went on to collaborate with Olivia Newton-John and followed her to America. Meanwhile, Welch enjoyed a highly successful second career as a producer, and Marvin released the occasional solo effort -- and the Shadows went on playing and recording right into the 21st century, clocking in more than 40 years as stars. Eventually, however, someone did remember their attempt to redefine their music as a vocal trio -- in 2006, the two Marvin, Welch & Farrar albums were reissued on CD by Beat Goes On. by Bruce Eder
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