Torrent details for "Guess Who - So Long Bannatyne (1971, Iconoclassic 2009)⭐" Log in to bookmark
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Total Size:
508.2 MB
Info Hash:
5F0DDCCDF7D4487F11A045D463497722C60D980F
Added By:
Added:
April 30, 2026, 8:30 p.m.
Stats:
|
(Last updated: April 30, 2026, 8:31 p.m.)
| File | Size |
|---|---|
| Booklet001-004.jpg | 11.4 MB |
| Booklet002-003.jpg | 8.0 MB |
| Disc.jpg | 2.3 MB |
| Front Cover.jpg | 1.6 MB |
| Back Cover.jpg | 1.6 MB |
| 03. Guess Who - Goin' A Little Crazy.flac | 70.6 MB |
| 11. Guess Who - So Long Bannatyne.flac | 61.3 MB |
| 07. Guess Who - Grey Day.flac | 43.4 MB |
| 10. Guess Who - Sour Suite.flac | 41.9 MB |
| 09. Guess Who - One Man Army.flac | 39.8 MB |
| 05. Guess Who - Pain Train.flac | 37.6 MB |
| 02. Guess Who - She Might Have Been A Nice Girl.flac | 32.9 MB |
| 08. Guess Who - Life In The Bloodstream.flac | 32.4 MB |
| 13. Guess Who - Broken.flac | 31.7 MB |
| 01. Guess Who - Rain Dance.flac | 28.1 MB |
| 06. Guess Who - One Divided.flac | 27.1 MB |
| 12. Guess Who - Albert Flasher.flac | 24.9 MB |
| 04. Guess Who - Fiddlin'.flac | 11.4 MB |
| Front.jpg | 50.0 KB |
| Guess Who - So Long Bannatyne.log | 12.3 KB |
| Guess Who - So Long Bannatyne.cue | 2.2 KB |
| Guess Who - So Long Bannatyne.m3u | 479 bytes |
Name
DL
Uploader
Size
S/L
Added
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617.4 MB
[12
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46]
2024-02-21
| Uploaded by PortalGoods | Size 617.4 MB | Health [ 12 /46 ] | Added 2024-02-21 |
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64.3 GB
[28
/
37]
2024-02-16
| Uploaded by webmaster32 | Size 64.3 GB | Health [ 28 /37 ] | Added 2024-02-16 |
NOTE
SOURCE: Guess Who - So Long Bannatyne (1971, Iconoclassic 2009)⭐
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COVER
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MEDIAINFO
Artist: Guess Who Title Of Album: So Long Bannatyne Year Of Release: 1971/2009 Label: Iconoclassic Country of Artist (Band): Canada Genre: Psychedelic Rock, Blues Rock, Garage Rock Audio codec: FLAC (*.flac) Rip type: tracks+.cue Audio bitrate: lossless Tracks 1. Rain Dance - 2:46 2. She Might Have Been A Nice Girl (Burton Cummings) - 3:15 3. Goin' A Little Crazy - 6:59 4. Fiddlin' - 1:08 5. Pain Train - 3:43 6. One Divided (Greg Leskiw) - 2:40 7. Grey Day (Greg Leskiw) - 4:18 8. Life In The Bloodstream (Burton Cummings) - 3:12 9. One Man Army - 3:56 10.Sour Suite (Burton Cummings) - 4:08 11.So Long Bannatyne - 6:03 12.Albert Flasher - 2:28 13.Broken - 3:08 Personnel: Burton Cummings - Lead Vocals, Keyboards, Saxophone Kurt Winter - Lead Guitar, Backing Vocals Greg Leskiw - Rhythm Guitar, Vocals, Banjo Jim Kale - Bass, Backing Vocals Garry Peterson - Drums, Backing Vocals Founded by Chad Allan in 1958 and known variously as The Silvertones, Chad Allen and The Silvertones, or Al and the Silvertones, their first recordings were released in 1962 as Chad Allan And The Reflections and Bob Ashley & The Reflections. In 1963, they became Chad Allan & The Expressions, finally becoming The Guess Who in 1965. Initially breaking up in 1975, there have been various reunions and reconstituted versions touring and recording ever since. So Long, Bannatyne came in the wake of a huge international success that was American Woman, an album that blew up a band that had previously only had a few extraneous hits here and there. Randy Bachman, once perceived as the creative muscle behind songs like 'Undun', took his leave following his bout of Mormon fever that infected his view of the band's then unruly lifestyle. This left The Guess Who to pick up two guitarists from their home city of Winnipeg, Kurt Winter and Greg Leskiw, to take his place. Bachman's departure had not left the group quite in dire straits, as not only was Share the Land with this new lineup. Released in the same year of 1970, it itself spawned more singles that kept The Guess Who in a continued state of success. ------------------------------------------------------------------------------------------------------------------------------------- As the year winded down however so did this success. The group began to evolve slightly but quickly in to a much less commercially palatable sound with progressive touches here and there. The band went from scoring number ones on the Billboard charts to barely scraping into the top 20 in a year alone. Thus enter So Long, Bannatyne, what came out of this madness. To be blunt, this record has no right to be good considering the circumstances in which it was released. However it'd be foolish to judge a book, or in this case a large plastic disk by its cover. If a word alone were given to describe this particular record, it would likely be "ambitious". It certainly embodies post-Bachman Guess Who better than anything that followed it- this has a much looser, experimental tone than the harder edged stuff on American Woman. It generally wanders the line between archaic, earthy rock 'n' roll and warm hints of progressive rock. When it comes down to specifics it's all over the place, with each song sounding relatively different and reflecting off of one another. For instance the second track 'She Might Have Been a Nice Girl', a bittersweet, regretful ballad is immediately contrasted by the elaborate and maniacal 'Goin' a Little Crazy'. It's quite hard to get over this seemingly halfbaked nature upon first listen, but after a few spins you begin to see how all of the songs are tied by a vague theme of retrospection and introspection. Though it's fairly known in the band's fan circle that this album's title track is written in relation to Kurt Winter's upheaval from Manitoba, the entire album tends to follow a train of thought that delves into sentimentality quite often. 'Sour Suite', a stunning piano rock ballad (and one of if not the best ballads I've heard) tells of a "runaway dad that took away the only thing that I never had". The more straightforward, floaty rocker 'Pain Train' has the lyric "We love the dollar more than the collar that Daddy used to wear". This whole lyrical theme the album uses not only, as aforementioned, ties everything in, but it also makes it thematically intriguing and keeps your intention extremely well. It doesn't hurt that songs like the jazz-rock of 'Grey Day' keep you on your toes with extremely impressive musicianship. Seriously, this song absolutely stunning. One of both Cummings' and Peterson's best work, as well as the song by the band that likely has impressed me the most to date. So Long, Bannatyne is a comfort record, for sure. On the other hand, it's also a rocker. On the third hand, it also makes you think. You can take it however way you please. Or you can simply take all three in at once and listen to what a surprisingly beautiful and awesome show that this record is. M.M. Archives
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