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Total Size:
263.7 MB
Info Hash:
0C10C6D1DAC47284556E9E04FE38CF443F6FA1A4
Added By:
Added:
April 21, 2026, 9:25 p.m.
Stats:
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(Last updated: April 21, 2026, 9:27 p.m.)
| File | Size |
|---|---|
| Dan Hicks & His Hot Licks - CD Sleeve Front.jpg | 899.2 KB |
| Dan Hicks & His Hot Licks - CD Sleeve Back.jpg | 744.3 KB |
| Dan Hicks & His Hot Licks - Tracklist.jpg | 412.2 KB |
| 11 Dan Hicks & The Hot Licks - Jukies' Ball.flac | 34.4 MB |
| 03 Dan Hicks & The Hot Licks - I Scare Myself.flac | 29.8 MB |
| 08 Dan Hicks & The Hot Licks - Milk Shakin' Mama.flac | 28.7 MB |
| 06 Dan Hicks & The Hot Licks - Waitin' For The '103'.flac | 25.1 MB |
| 01 Dan Hicks & The Hot Licks - Canned Music.flac | 23.8 MB |
| 05 Dan Hicks & The Hot Licks - Evenin' Breeze.flac | 23.4 MB |
| 07 Dan Hicks & The Hot Licks - Shorty Falls In Love.flac | 22.9 MB |
| 04 Dan Hicks & The Hot Licks - Shorty Takes A Dive.flac | 19.6 MB |
| 09 Dan Hicks & The Hot Licks - Slow Movin'.flac | 19.5 MB |
| 10 Dan Hicks & The Hot Licks - It's Bad Grammer, Baby.flac | 18.0 MB |
| 02 Dan Hicks & The Hot Licks - How Can I Miss You When You Won't Go Away_.flac | 16.2 MB |
| Front.jpg | 62.2 KB |
| Original Recordings.log | 8.9 KB |
| audiochecker.log | 1.1 KB |
| Dan Hicks & His Hot Licks - Original Recordings.txt | 734 bytes |
| Dan Hicks - Original Recordings.m3u | 622 bytes |
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NOTE
SOURCE: Dan Hicks And His Hot Licks - Original Recordings (Japan Remastered)(1969, 2007)
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COVER
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MEDIAINFO
Dan Hicks & His Hot Licks / Original Recordings (Japanese Remaster) Genre: Folk, Swing, Blues, Rockabilly, Gypsy Jazz Country of disc production: Japan Year of disc release: 1969/2007 Publisher (label): Sony Music Japan International Catalog number: EICP 860 Audio codec: FLAC (*.flac) Rip type: tracks Audio bitrate: lossless Duration: 41:21 Tracklist: 1. Canned Music - 4:05 2. How Can I Miss You When You Won't Go Away? - 2:39 3. I Scare Myself - 5:18 4. Shorty Takes A Dive - 3:11 5. Evenin' Breeze - 3:56 6. Waitin' For The "103" (Dan Hicks, Bob Johnston) - 3:44 7. Shorty Falls In Love (Dan Hicks, Bob Johnston) - 3:23 8. Milk Shakin' Mama - 4:09 9. Slow Movin' - 3:09 10. It's Bad Grammar, Baby (Dan Hicks, Bob Johnston) - 2:32 11. Jukies' Ball - 5:11 Personnel: Dan Hicks - Vocal, Rhythm Guitar, Harmonica, Drums Jon Weber - Lead Guitar Sid Page - Violin Sherry Snow - Vocal Christina Viola Gancher - Vocal, Celeste, Piano Jaime Leopold - Bull Fiddle Original Recordings was Dan Hicks' initial solo effort as well as the debut of his "Hot Licks." Unlike the overamplified electric jug band music that the Charlatans had been creating during Hicks' stint as their drummer and occasional vocalist, this new band performed a refreshing blend of jazz swing with country & western. Their understated performance style stood in stark contrast to the burgeoning heavy metal and acid rock that were en vogue as the '60s became the '70s. Featured on this album is a seminal version of the "Hot Licks" that were only together briefly. Included are John Weber (guitar) and Terry Wilson (drums) as well as vocalists Tina Viola Gancher and Sherry Snow. Both Sid Page (violin/vocals) and Jaime Leopold (acoustic bass) would remain with Hicks (guitar/vocals/spoken word) as core members of the band. Of the 11 original compositions on this disc, "How Can I Miss You When You Won't Go Away" followed Hicks from the Charlatans, while "Canned Music," "I Scare Myself," and "Shorty Falls in Love" would be slightly reworked for their inclusion on the upcoming long-players Where's the Money? and Striking It Rich, respectively. Perhaps because of Hicks' background as a drummer, his sense of timing is a key element to his deceptively complex melodies. Likewise, this has a great deal to do with the success of the call-and-response vocals between Hicks and the female background vocalists he would dub "the Lickettes." Within these pastoral melodies and slightly askew lyrics is the somewhat out-of-sync and acid-tinged "It's Bad Grammar, Baby." In retrospect, the prominently distorted acoustic guitar lead overwhelms the track -- which would have otherwise fit nicely within the context of the remainder of the album. This might have had something to do with it being conspicuously left off the 2001 Sony/Legacy reissue Canned Music: The Most of Dan Hicks & His Hot Licks. Those who can locate a copy of these Original Recordings are urged to do so. For Hicks-ophiles or Dan-ophites, it is a vital entry into his canon
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