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Total Size:
1.7 GB
Info Hash:
B778B8C789DDE3EABB5F73EF768BEACFEDE86A2C
Added By:
Added:
April 20, 2026, 7:04 p.m.
Stats:
|
(Last updated: April 20, 2026, 7:10 p.m.)
| File | Size |
|---|---|
| 01 - Sérénade grotesque, M 5.flac | 47.4 MB |
| 02 - Jeux d’eau, M 30.flac | 69.7 MB |
| 03 - Pavane pour une infante défunte, M 19.flac | 70.2 MB |
| 04 - Ravel' Menuet antique, M 7.flac | 75.4 MB |
| 05 - Sonatine, M 40' I. Modéré.flac | 50.5 MB |
| 06 - Sonatine, M 40' II. Mouvement de Menuet.flac | 37.8 MB |
| 07 - Sonatine, M 40' III. Animé.flac | 51.5 MB |
| 08 - Menuet, M 42.flac | 15.2 MB |
| 09 - Menuet sur le nom d’Haydn, M 58.flac | 24.3 MB |
| 10 - Miroirs, M 43' I. Noctuelles.flac | 55.8 MB |
| 11 - Miroirs, M 43' II. Oiseaux tristes.flac | 54.7 MB |
| 12 - Miroirs, M 43' III. Une barque sur l’océan.flac | 88.7 MB |
| 13 - Miroirs, M 43' IV. Alborada del gracioso.flac | 83.9 MB |
| 14 - Miroirs, M 43' V. La Vallée des cloches.flac | 62.8 MB |
| 15 - Gaspard de la nuit, M 55' I. Ondine.flac | 84.7 MB |
| 16 - Gaspard de la nuit, M 55' II. Le Gibet.flac | 69.9 MB |
| 17 - Gaspard de la nuit, M 55' III. Scarbo.flac | 120.6 MB |
| 18 - À la manière de... Borodine, M 63a.flac | 21.0 MB |
| 19 - À la manière de... Emmanuel Chabrier, M 63b.flac | 27.0 MB |
| 20 - Le Tombeau de Couperin, M 68' I. Prélude.flac | 37.9 MB |
| 21 - Le Tombeau de Couperin, M 68' II. Fugue.flac | 40.2 MB |
| 22 - Le Tombeau de Couperin, M 68' III. Forlane.flac | 65.1 MB |
| 23 - Le Tombeau de Couperin, M 68' IV. Rigaudon.flac | 43.0 MB |
| 24 - Le Tombeau de Couperin, M 68' V. Menuet.flac | 64.8 MB |
| 25 - Le Tombeau de Couperin, M 68' VI. Toccata.flac | 54.7 MB |
| 26 - Prélude, M 65.flac | 18.2 MB |
| 27 - Valses nobles et sentimentales, M 61' I. Modéré, très franc.flac | 18.2 MB |
| 28 - Valses nobles et sentimentales, M 61' II. Assez lent.flac | 27.1 MB |
| 29 - Valses nobles et sentimentales, M 61' III. Modéré.flac | 19.4 MB |
| 30 - Valses nobles et sentimentales, M 61' IV. Assez animé.flac | 13.4 MB |
| 31 - Valses nobles et sentimentales, M 61' V. Presque lent.flac | 19.0 MB |
| 32 - Valses nobles et sentimentales, M 61' VI. Vif.flac | 8.7 MB |
| 33 - Valses nobles et sentimentales, M 61' VII. Moins vif.flac | 37.0 MB |
| 34 - Valses nobles et sentimentales, M 61' VIII. Épilogue.flac | 47.4 MB |
| 35 - La Valse, M 72b.flac | 163.8 MB |
| folder.jpg | 140.5 KB |
| front.jpg | 1.1 MB |
| Torrent downloaded from ext.to:.txt | 45 bytes |
Name
DL
Uploader
Size
S/L
Added
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344.5 MB
[0
/
0]
2023-07-01
| Uploaded by tassiedevil | Size 344.5 MB | Health [ 0 /0 ] | Added 2023-07-01 |
NOTE
SOURCE: Ravel - Complete Works for Solo Piano - Jean-Efflam Bavouzet (2025) [24-96]
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COVER
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MEDIAINFO
Artist: Jean-Efflam Bavouzet Title: Ravel: Complete Works for Solo Piano Year Of Release: 2025 Label: Chandos Genre: Classical Piano Quality: flac lossless (tracks) 24bits - 96.0kHz Total Time: 02:23:26 Total Size: 1.82 gb Tracklist CD1 01. Sérénade grotesque, M. 5 02. Jeux d'eau, M. 30 03. Pavane pour une infante défunte, M. 19 04. Menuet antique, M. 7 05. Sonatine, M. 40: I. Modéré 06. Sonatine, M. 40: II. Mouvement de menuet 07. Sonatine, M. 40: III. Animé 08. Menuet, M. 42 09. Menuet sur le nom d'Haydn, M. 58 10. Miroirs, M. 43: No. 1, Noctuelles. Très léger 11. Miroirs, M. 43: No. 2, Oiseaux tristes. Très lent 12. Miroirs, M. 43: No. 3, Une barque sur l'océan. D'un rythme souple 13. Miroirs, M. 43: No. 4, Alborada del gracioso. Assez vif 14. Miroirs, M. 43: No. 5, La vallée des cloches. Très lent CD2 01. Gaspard de la nuit, M. 55: No. 1, Ondine. Lent 02. Gaspard de la nuit, M. 55: No. 2, Le gibet. Très lent 03. Gaspard de la nuit, M. 55: No. 3, Scarbo. Modéré 04. A la manière de Borodine, M. 63 No. 1 05. A la manière de Chabrier, M. 63 No. 2 06. Le tombeau de Couperin, M. 68: I. Prélude 07. Le tombeau de Couperin, M. 68: II. Fugue 08. Le tombeau de Couperin, M. 68: III. Forlane 09. Le tombeau de Couperin, M. 68: IV. Rigaudon 10. Le tombeau de Couperin, M. 68: V. Menuet 11. Le tombeau de Couperin, M. 68: VI. Toccata 12. Prélude, M. 65 13. Valses nobles et sentimentales, M. 61: No. 1, Modéré, très franc 14. Valses nobles et sentimentales, M. 61: No. 2, Assez lent, avec une expression intense 15. Valses nobles et sentimentales, M. 61: No. 3, Modéré 16. Valses nobles et sentimentales, M. 61: No. 4, Assez animé 17. Valses nobles et sentimentales, M. 61: No. 5, Presque lent, dans un sentiment intime 18. Valses nobles et sentimentales, M. 61: No. 6, Vif 19. Valses nobles et sentimentales, M. 61: No. 7, Moins vif 20. Valses nobles et sentimentales, M. 61: No. 8, Épilogue. Lent 21. La valse, M. 72 (Version for Piano) Born in 1875, Ravel was fêted during the 1920s and ’30s as France’s greatest living composer – a remarkable achievement considering the obstacles placed in his path by the ultra-conservative Parisian musical elite of his time. (Ravel was expelled from the Paris Conservatoire twice!). His unique musical style, combining classical form and impressionistic harmony, makes his work immediately recognisable. Compared to others, Ravel, immensely self-critical, was a slow and conscientious composer, but almost all his relatively small output remains in the repertoire and is performed and recorded regularly. The piano was Ravel’s first instrument, and although he was no virtuoso himself, he successfully composed some of the most virtuosic pieces in the repertoire, reflecting his extraordinary understanding of the instrument and exactly what sounds and effects he wanted to achieve. He orchestrated a significant number of his piano works, which presents another challenge to the performer: once she or he has heard Ravel’s orchestration of a work, this must of course influence one’s perception of the original. (This is equally true for the listener, of course.) Jean-Efflam Bavouzet notes: ‘I subscribe completely to Ravel’s idea that a composer does not have to be profound in order to write good music. And furthermore, owing no doubt to his modest character, Ravel rarely addresses us in the first person. He does not confide in us intimately except on the rarest occasions. At these exceptional moments, our admiration for this musical giant, for his intelligence and elegant style of writing, for his perfect proportions, give way to a wave of emotion that is difficult to contain.’
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